Magic Ink: Information Software and the Graphical Interface

People turn to software to learn the meaning of words, learn which countries were bombed today, and learn to cook a paella. They decide which music to play, which photos to print, and what to do tonight, tomorrow, and Tuesday at 2:00. They keep track of a dozen simultaneous conversations in private correspondence, and maybe hundreds in public arenas. They browse for a book for Mom, a coat for Dad, and a car for Junior. They look for an apartment to live in, and a bed for that apartment, and perhaps a companion for the bed. They ask when the movie is playing, and how to drive to the theater, and where to eat before the movie, and where to get cash before they eat. They ask for numbers, from simple sums to financial projections. They ask about money, from stock quote histories to bank account balances. They ask why their car isn’t working and how to fix it, why their child is sick and how to fix her. They no longer sit on the porch speculating about the weather—they ask software.

Fascinating reading, you can almost feel it poking new (but good!) holes in your zmobie brain as you read.

Anyone who's involved with software design or production should read this.

Cupcake Ipsum - Sugar-coated Lorem Ipsum Generator

Cupcake Ipsum - Sugar-coated Lorem Ipsum Generator

TIRED OF HOW BORING LOREM IPSUM GOT?

How about using auto-generated text that will actually
make people love your project even more?

Pretty sweet, right?

Happy_muffinSweetsLight_brown_muffinSweet_cherryGreen_muffinLight_pink_muffinBlue_muffinPink_pieCherryPink_muffinRaspberry

While I try to avoid lorem ipsum whenever possible (content is not ONLY a graphic element! grr!), because lorem ipsum everywhere makes it much harder to visualise, and design for, the real content...

...this is just so kyooooot!

Also see veggy version (features linnaen names!):
http://veganipsum.com/

And BACON!
http://baconipsum.com/

But really, the cupcakes look the cutest.

Sad pandas weep eloquently in dead silence

Slightly over 1 year ago, pre-acquisition annual company meeting/dinner
Bosses: So, any questions guys?
All Us Peons: *excited babble* *lots of questions, some silly, some serious*

Fast forward to today, slightly over a year, post-acquisition annual company meeting/dinner
Bosses: So, any questions guys?
All Us Peons: *dead silence*
Bosses: Well? No questions?
Kamikaze Nugget: *Asks a question that EVERYONE has been talking about for oh... at least the past half year. A question concerning our 'annual' reviews, which are at least 6 months late for a lot of people. Reviews that are tied to shineh gold pieces. Mmhmm.*
Bosses: Be patient, etc etc, it will happen, etc etc. (We've not heard that before.) Any more questions?
All Us Peons: *dead silence resumes*

Cutting their own throats - Charlie's Diary

DRM is really a strategy for *reducing* the usability of an ebook: You can only use it on the right hardware, with the right kind of data connection, and while the server hardware is operating properly. The first time any of those things is not true, the reader is going to look for a way to access the content he paid for.

And he's going to find it, in the form of the hacked ebook or scanned and OCR'd PDF of the hardcopy. From then on, he's a pirate. And having already crossed the line, he's going to find that it's not only cheaper to read the pirate versions, it's easier and more convenient. Access to the content without the hassles of DRM becomes the "Gateway Hack" to not buying any books at all.

In fact, they may already have done it: For most authors, it is easier to pick up the latest version of the huge, combined all-in-one ebook pack (currently nearly 4700 books) than to find those of a particular author, and easier to find everything from a particular author than just one of his books. Ebooks are so *small* compared to video, or even audio (virtually every popular audio-book is also available) that they are all just combined into one giant mega-bundle. With one download, their quest for one usable ebook yields a library they couldn't finish reading in their lifetime.

I just looked up your name, and the combined version of *your* work includes not only all your novels, but all of your short fiction, non-fiction, interviews, and a snapshot of this very blog. A reader couldn't get that comprehensive a package from a legitimate source, at any price.

A very nice summary of a problem publishers either don't see or don't know how to deal with.

That being said, I DO want the authors I like to get money from their books.

True, I borrow rather than buy nowadays, when it comes to dead tree books, but that's because I don't really like reading on my iPad 1, and I don't own other readers. And also because it's one less physical thing to move.

Charles Stross has enough of a fan base *from* coming from traditional publishing that I believe he can indeed drop the middleman if he wants to.

But what about those writers who are just starting out? Realistically, they haven't got the reach, the polish, and the marketing that a publisher provides. Not to mention, having a dead tree publisher also helps with reputability. >.> I confess that if it isn't an author I know, then self-publish greys into fanfic or Legendary Times 'scrollers' for me. (LT is LegendMUD's newsletter that I used to subscribe to when I lived there.)

Not to mention that it isn't really possible to get a 'combined' version of an author's works without stealing. I assume this is due to all the different contracts associated with different books, across different publishers.

But if the only way to get something people want in a form they want is to steal it... >.> I dunno, but to me, that smacks of market opportunity.